A classic Metroidvania, doing fights and exploring a vast area. They have a really interesting mix of music and bugs as a theme, where the music becomes more and more central throughout the progress of the story.

It's not easy at the start, but it is not super hard either. The difficulty ramps up a lot.

My main gripe is that there is no downwards attack - I kept on jumping / hitting on enemies below me, Super Mario style. That was, until I discovered that Attack+Down actually does a downwards attack.

The first three levels / maps were fairly easy. I'm now close to the second act, but each boss fight needs some training/repetitions to figure out the rhythm of the boss.

Played on:

• PS4
• Windows (Controller really recommended) Using a Steam Controller with GoG Silksong required launching the game from Steam.
• Steam Deck (Windows GoG version via Heroic) Getting the Steam Deck controller to work with the Linux version of Silksong failed with the same symptoms as on Windows. Launching the Windows version through Steam -> Heroic -> Silksong worked and also made the controller buttons work. Weirdly enough, this is the version I like most. Both the PS4 version as well as the Windows+Controller version felt not as tight as the Steam Deck

I watched this movie in April or May 2025. The German title is Blood & Sinners, while the US title seems to be just Sinners. Overall, the music is entertaining, but I don't get the fawning reviews elsewhere.

I found the movie a bit aimless, and a hodgepodge of interesting ideas. Overall, I think it has more promise than the movie realized. There are some plots that don't go anywhere, which suggests to me that the script went through several rewrites or is a combination of several other scripts.

The setting of the movie is the Deep South in the 1930s.

The population are: (Former) Slaves, (Irish) Whites, the token Asians.

Genre: Vampire Splatter Music Movie

Content-wise, the music gets short-changed. I saw this movie billed as a musical, but to me, it is not. To me, a musical means that the song advances the story and exposes some inner monologue of the actors, which does not happen here at all. I've learned that the term of art is Book Musical. Polyphonic has a treatise on Sinners, and from there it could fall under the type of Backstage Musical.

The Blues/Music gets built up as driving element of the story, except that the idea and the general idea of magic music is lost after its expositional scene.

The story beats are mildly aligned with From Dusk 'Till Dawn (which is fine, From Dusk 'Till Dawn is a good movie).

Some of the story turns are quite weakly motivated. One person runs away in the middle of the battle without motivation. There are some mexicans that have one scene, seemingly hunting for vampires. Who are they and why are they there? The ending is a cliffhanger-style sequel setup.

Weirdly enough, this movie rates as a top movie for 2025 with 7.7 on IMDB, but maybe that is because there were no better movies at the time ?!

Fallout London

Fallout London is a large, user-made mod for Fallout 4. It reimagines London as a postapocalyptic place with several factions.

The mod is certainly a labour of love, and the area is vast and promises interesting setups. Not having played Fallout 4 itself, the whole setting is far too unpaced for my taste.

The scenery certainly looks great in the screenshots, but I could not muster the patience to grind through the game to see these parts of the city.

https://www.remedygames.com/games/alan-wake

The game is old, from 2010, and thus isn't as humungous as current games, and it runs well on current hardware.

The story is OKish, it follows a writer as he discovers he is in his own story, in a Stephen King / Maine setting. Some darkness takes over people and you have to fight these.

The gameplay is serviceable as well. The whole game is made up like a TV series, with distinct chapters and recaps at the start of each new chapter.

You control Alan Wake from a third-person perspective. The game alternates between a walking simulator and fights where you have to first burn the darkness away from creatures and then shoot them with a gun. Often the creatures come from off-screen behind you, which is not helped by the close perspective.

Dead Space (2023 remake)

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I had played the original Dead Space (2008). The 2023 remake is a take-for-take remake. I felt it was too slow. The combination of slow gameplay and waiting through cutscenes again and again after dieing in combat, combined with the instability (3 crashes within 4 hours of play, on a Windows 10 machine) made me not want to slog through the game again.

The Game setup is always the same. You enter a dark room. Monsters spawn behind you. You kill them by cutting off their limbs. Sometimes you enter a lit room. But then the light goes out and monsters spawn behind you.

There is the occasional jump scare. The fates of the crew are told through text and audio logs. Sometimes there are cutscenes, which are OK, but sometimes there are cutscenes d or long dialogs uring missions, and ypu can't skip them.

I feel that Prey (2017) is more my avenue. It's not dark and there is far more game variety to the gameplay and the enemies.